The Room
Our production of Harold Pinter’s first play, which he wrote in Torquay, England, in 1957.
Media & Ephemera
Dailies
From 2010 to around 2020, the Dailies was an online video series begun by the Group’s resident filmmaker at the time Zbigniew Bzymek. Most of Dailies videos follow his relationship to the company and its work, offering glimpses into our rehearsals and archives, as well as short films, interviews, and other behind-the-scenes materials. Dailies videos in the “from the archives” series were curated by the Group’s archivist Clay Hapaz. View more of the project here.
Production History
- Rose: Kate Valk
- Bert Hudd: Scott Renderer
- Mr. Kidd/Mr. Sands/Stage Directors: Ari Fliakos
- Mrs. Sands: Suzzy Roche
- Riley: Philip Moore
- Text by: Harold Pinter
- Director: Elizabeth LeCompte
- Lighting: Jennifer Tipton, Ryan Seelig
- Original Music Tracks: Omar Zubair
- Sound: Max Bernstein, Eric Sluyter
- Sound Assistant/Technical Fellow: Gareth Hobbs
- Sound Consultant: Bobby McElver
- Video and Projections: Robert Wuss, Max Bernstein
- Assistant Director and Costume Supervisor: Enver Chakartash
- Stage Manager: Erin Mullin
- Production Manager: Bona Lee
-
Performers
- Rose: Kate Valk
- Bert Hudd: Scott Renderer
- Mr. Kidd/Mr. Sands/Stage Directors: Ari Fliakos
- Mrs. Sands: Suzzy Roche
- Riley: Philip Moore
Production- Text by: Harold Pinter
- Director: Elizabeth LeCompte
- Lighting: Jennifer Tipton, Ryan Seelig
- Original Music Tracks: Omar Zubair
- Sound: Max Bernstein, Eric Sluyter
- Sound Assistant/Technical Fellow: Gareth Hobbs
- Sound Consultant: Bobby McElver
- Video and Projections: Robert Wuss, Max Bernstein
- Assistant Director and Costume Supervisor: Enver Chakartash
- Stage Manager: Erin Mullin
- Production Manager: Bona Lee
-
Performers
- Rose: Kate Valk
- Bert Hudd: Scott Renderer
- Mr. Kidd/Mr. Sands/Stage Directors: Ari Fliakos
- Mrs. Sands: Suzzy Roche
- Riley: Philip Moore
Production- Text by: Harold Pinter
- Director: Elizabeth LeCompte
- Lighting: Jennifer Tipton, Ryan Seelig
- Original Music Tracks: Omar Zubair
- Sound: Max Bernstein, Eric Sluyter
- Sound Assistant/Technical Fellow: Gareth Hobbs
- Video and Projections: Robert Wuss, Max Bernstein
- Assistant Director and Costume Supervisor: Enver Chakartash
- Stage Manager: Erin Mullin
- Lighting Board Operator: Hao Bai, Megan Lang
- Production Manager: Bona Lee
Additional Credits
Bobby McElver (sound), Jamie Poskin (assistant director), Emily Rea (production manager) and Bill Kennedy (technical director) worked on the development of this piece.
Special thanks to Eleanor Bishop, Eric Dyer, and Teresa Hartmann.
Presented by special arrangement with Samuel French, Inc.
Development of this piece was supported in part by: the National Endowment for the Arts Art Works program; public funds from the New York City Department of Cultural Affairs in partnership with the City Council; and the New York State Council on the Arts. Performances at REDCAT in Los Angeles were supported by the National Endowment for the Arts.
